- PII
- S0236-20070000392-2-1
- DOI
- 10.7868/S70000392-2-1
- Publication type
- Article
- Status
- Published
- Authors
- Volume/ Edition
- Volume / Issue 4
- Pages
- 86-99
- Abstract
- The problem of the true and false (“clear”) vision in a movie is considered. The American and European movie are counterposed in terms of the false “objectivism” and profound subjectivity, accordingly. The lofty samples of the European movie are regarded from the point of view of their with the “things themselves”, the thought alive, being.
- Keywords
- PHENOMENOLOGY, EUROPEAN AND AMERICAN MOVIE, VISION, "THINGS THEMSELVES", BEING
- Date of publication
- 01.08.2016
- Year of publication
- 2016
- Number of purchasers
- 1
- Views
- 1200
RAS History & PhilologyРусская литература Russian literature
- ISSN (Print) 0131-6095
- ISSN (Online) 3034-591X
Towards the phenomenology of visuality in the cinematograph
Индексирование
Scopus
Crossref
Higher Attestation Commission
At the Ministry of Education and Science of the Russian Federation
Scientific Electronic Library